Young Omani potter upholds traditional crafts

2026-02-18 - 13:56

Mujahid Al Mufarji is not just a potter, rather a keeper of one of Oman’s most popular traditional crafts – pottery. “Traditional professions,” he says, “teach patience, precision and pride in one’s identity” Oman’s landscape is defined not only by mountains, deserts and seas, but by a living heritage that continues to shape everyday life. From community celebrations and seasonal festivals to objects found in Omani homes, traditional arts and crafts remain woven into the fabric of society. Among these enduring traditions, pottery holds a special place – a craft that speaks of patience, utility and beauty in equal measure. In the historic Wilayat of Bahla, long renowned for its association with pottery, traditional handicraft maker Mujahid Talib bin Nasser Al Mufarji is carrying this legacy forward. For Al Mufarji, pottery is more than a hobby or cultural symbol; it is both a livelihood and a personal mission to keep his ancestral knowledge alive. He learned the craft through skills passed down within his family, observing and practising from a young age. Over time, what began as inherited knowledge developed into a reliable source of income that helps support his household. Yet, financial stability is only part of the story. Al Mufarji views his work as a bridge between generations, linking modern Oman with the creativity of its forefathers. Speaking to Muscat Daily, he said pottery reflects the ingenuity of Omanis throughout history, noting that several regions of the country are known for distinctive ceramic traditions. Through participation in heritage corners, exhibitions and cultural events, he works to ensure that pottery does not fade in the face of rapid modernisation. Each exhibition is, for him, an opportunity to tell a story about identity and continuity. Al Mufarji acknowledges the importance of institutional support in sustaining traditional crafts. “Training programmes, moral encouragement and financial assistance, along with easier access to festivals and public events, have helped artisans reach wider audiences. Such platforms not only generate income but also raise awareness among younger generations about the value of handmade work,” he said. Green, red, and white clay The journey of a pottery piece begins with the clay itself. Al Mufarji carefully selects raw material from locations known for quality, including Bahla and the mountainous areas of Jebel Shams. For certain artistic pieces, he also imports specialised clay from Italy, chosen for its particular properties. Pottery clay, he explains, generally falls into three types – green, red and white – each suited to different purposes. Once sourced, the clay is mixed with water and kneaded by hand or foot to remove impurities and achieve the right consistency. Shaping is largely done by hand, requiring focus and patience, though modern tools now assist at some stages. The formed pieces are then left to dry before undergoing firing, a crucial step that gives them strength and durability. His product range is diverse – traditional water pots (jahlah), incense burners of various sizes, dallah coffee pots, water jugs, coffee grinders, and even miniature models of traditional monuments. From preparing the clay to shaping, engraving, decorating and finally firing, a single production cycle can take around two weeks. While the essence of pottery-making remains largely unchanged, Al Mufarji notes that decorative techniques have evolved. Exposure to exhibitions and interaction with fellow artisans have inspired new colours, patterns and finishes, allowing traditional forms to appeal to contemporary tastes. Tourism has also helped sustain the craft. Visitors often seek authentic cultural items, and pottery stands out as both, functional and symbolic. Many tourists regard these pieces as tangible reminders of Oman’s history and hospitality. Al Mufarji hopes to establish a fully equipped workshop of his own, building on family techniques preserved over generations. His message to young people is simple – hold on to your dreams and do not give in to frustration. Traditional professions, he says, teach patience, precision and pride in one’s identity. In the steady rhythm of his work – kneading, shaping and firing – lies a quiet determination to ensure that Oman’s clay heritage continues to take form, one piece at a time.